But when he died in Chicago in 1937 at the age of 76 after slipping on an icy sidewalk, William Edward White’s Cook County death certificate declared him “white.” And when he played in his one and only big-league game for the National League’s Providence Grays (perhaps becoming the first black big leaguer ever) in 1879, his teammates and the fans watching likely all thought he was white, too, Peter Morris and Stefan Fatsis reported for Slate last year: “After first baseman “Old Reliable” Joe Start broke a finger, the Providence Grays, who played in the National League between 1878 and 1885, recruited White, an 18-year-old freshman at Brown University, to fill in. She soon recorded a number of hits with the group including “I Got it Band and that Ain’t Good” (1941) and “Why Don’t You Do right” (1943). One of the most influential jazz singers of the twentieth century. lucrative than the girls, so she dropped her original band in 1939 and started As a young woman, she began performing both the blues under the name Dinah Washington and continued with gospel music under her birth name. In the tradition of prior all-girl bands led by musical theater stars, headliners Eddie Crump and Baby Briscoe both led the band as dancing, singing front women. Chicago's south side. Unlike Rachel Dolezal — the white Spokane, Washington, NAACP head who has become the U.S.’s biggest viral news story after she was exposed for lying about her past to pose as a black woman — all five of these sometime Chicagoans were black. She briefly led her own band for a CBS variety television program Three Chicks and a Fiddle with jazz violinist Ginger Smock. She died in 1963 from an overdose of sleeping pills (Grove Music Online, LastFM, Wikipedia). Calloway filed for bankruptcy in 1938, effectively ending the band’s tenure. For a time, she played piano and led Sallie Martin’s gospel choir. During the 1940s they also recorded a number of Soundies including “Pavanne”, “Night Ride” and “Tchaikovskiana” (McGee). Peggy Gilbert lived until the age of 102 and died in Burbank, California (Poole, Placksin, Wikipedia). Soon after, she moved to the West Coast to headline in a variety revue. The group specialized in jazz, Tin Pan Alley, light classical works and Dixieland. Hardin was hired because of her expert reading skills, which enabled her to demonstrate musical pieces to store customers. She toured as a child dancer and sometimes performed with with her father’s band. She soon initiated her first all-girl band, the Melody Girls which included fellow musicians from the Lake Okoboji band as well as family members. During the 1950s she toured internationally and headlined the Newport Jazz Festival in 1958. Ina Ray Hutton was one of the most successful bandleaders of the Big Band era.

In 1935, the orchestra came to know as the Hour of Charm due to their weekly performances on coast-to-coast radio broadcast for CBS.

seductive stage persona, earning her the nickname ''Blonde Bombshell of In the 1970s, at 69 years old, she organized her last all-girl band, The Dixie Belles, consisting of seasoned musicians from the vaudeville and big band era. She toured with various bands during the 1930s and 1940s including Nobble Sissle’s and Charlie Barnet’s, a white band. In the mid-1940s the group toured Europe for USO military camp personnel. She died of cancer in 1981 in New York City (Chilton, McGee, Wikipedia). She was contracted to perform John Hammond’s Carnegie Hall From Spirituals to Swing in 1937, but she died from a car accident in Mississippi earlier that year (Allmusic, Grove Music Online, Wikipedia).

The group eventually landed prominent jobs with the Ziegfeld Follies and Earl Carroll Revues during the 1920s. There she was in articles During the early 1940s, the group alternated between USA camp show tours and smaller theater engagements on the Kemp Time circuit. There she was scouted by various film studios, including MGM. She chose to revive her nightclub persona, performing many prominent theaters during the 1950s and 1960s in the United States, Canada and throughout Europe. Her autobiographer, Miss Peggy Lee was published in 1990. MARK BROWN: Not long ago, it was fairly common for the vote in Cook County to break down largely along racial and geographic boundary lines.

Lionel Hampton invited her to join his band after hearing her at the Garrick Stage Bar in 1946. appearing in several Paramount film shorts, including Feminine Rhythm (1935), Accent on Girls (1936) and Scott remained publicly opposed to McCarthyism and racial segregation throughout her career. Beyond that, De Angelis said she knew nothing about William Edward White.White’s wife, Hattie, lived until 1970. During the 1980s she toured Europe with Johnny Otis and Jimmy and Jeannie Cheatham. She returned to Chicago to perform various revues at the Dreamland and later worked with Louis Armstrong in King Oliver’s Creole Jazz Band. Baseball player William Edward White, politician Oscar DePriest, bandleader Ina Ray Hutton, poet Jean Toomer and writer Nella Larsen all at times passed as white, it’s believed. She looked like… me. A predominantly black jazz band led by arranger and instrumentalist Eddie Durham during the 1940s. Swing, Hutton, Swing (1937). During high school, Peggy picked up the saxophone because of her interest in big band and vaudeville style jazz. She moved to Paris in the late 1950s, appearing in the film Le Désordre et la Nuit‘ (1958). High-profile judges fight to keep their jobs in Tuesday’s retention election. Hutton's skin colour was light enough to pass as white without people suspecting that she was in fact a mulatto. She also contracted female musicians for films and began to advocate for local women musicians. A jazz and classical pianist. In 1929, Smith starred in her only film, St. Luis Blues directed by Dudley Murphy, which featured the composition of the same name by W.C.

The amendment could pass if a majority of all people voting in Tuesday’s election voted "yes." From 1923 on, Smith recorded over 160 sides for Columbia with prominent musicians including Louis Armstrong, James P. Johnson, Charlie Green and Fletcher Henderson. Hutton's birth name, Odessa Cowan, to search for records of Hutton as a She featured with Goodman’s band in two Hollywood films, Stage Door Canteen (1943) and the Powers Girl (1943). She examined the archives of the Chicago Defender, a national black Down Beat magazine April 15, 1940, Ina Ray Hutton on cover. During the 1980s and 1990s, she published articles on jazz and co-edited the book Central Avenue Sounds: Jazz in Los Angeles (Berkeley, CA, Los Angeles, and London, 1998). Ina Ray Hutton, who died in 1984 at age 67, also had a secret that could have damaged her stardom. She also decided to drop all the sexy, lacy get-ups and the blonde hair By Age ten, she was dancing as part of The White Sisters vaudeville act. Did the Grays decide they could make do without an extra player? At the age of 16, Horne joined the chorus of the Cotton Club in 1933 and featured in the Cotton Club Parade in 1934.

The group featured some of the best female musicians of the day such as Vi Burnside, Roz Cron, Tiny Davis, Pauline Braddy and Helen Jones, many of whom worked in other prominent all-girl bands including the Harlem Playgirls, the Dixie Sweethearts and the Melodears.

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In the 1930s she appeared on Broadway in George White’s Scandals and The Ziegfeld Follies. She died of pneumonia in 2005 (McGee). She never had any children and died fairly young at the age of 67, from complications of diabetes on February 19, 1984. Archival research reveals a clearer picture, said Mr. Gates, the director of the W. E. B. Horne became the first black actrice to sign a long-term contract with a major Hollywood film studio. 40-1046). Her first performances occurred on radio programs during the 1930s, such as the Ben Bernie Show and the Eddie Cantor Show. We moved away from that for a while, but the race for state’s attorney threatened to take us back to those days. She was born in Chattanooga, Tennessee. By the age of 15, Snow chose to concentrate upon the trumpet and singing and soon landed headlining roles in musical revues including Sissle and Blake’s In Bamville (aka The Chocolate Dandies) in 1924. Holiday’s childhood is the subject of much debate. A blues, rhythm and blues, jazz, popular music and gospel singer. Critics frequently site Holiday’s unique vocalization of instrumental jazz phrasing as transformative of American jazz singing. And in In 1933, they toured Europe with a 16 piece band, which included pianist Dorothy Sauter and saxophonist Geraldine Stanley. An internationally known, American jazz and classical pianist, composer and singer. In 1928 she moved to Hollywood, where she appeared in sound films and toured with the Fanchon and Marco vaudeville shows. If the She performed consistently throughout her life with residences in prominent jazz clubs such as Embers in New York. By 1918, Marvel and her husband Odie, along with their daughter Odessa, out to be the key to revealing Hutton's race. Eventually, Ina felt that an all-male orchestra was better and more She remained vocal about the detrimental effects of sexism and racism in the jazz and popular music industry through her life.

In 1926, she organized the New Orleans Wanderers for Columbia Records. let alone a bandleader. early 1930s she appeared in The. Managed by William Morris, the group performed frequently for variety theater, vaudeville and picture houses, often billed as the opening stage show before double features. Another star of the Harlem Renaissance, she may herself have passed as white in New York — just as one of her characters in “Passing” had in Chicago. Peggy Gilbert was a bandleader, arranger, saxophonist, and multi-instrumentalist. As a teenager, she performed piano and trumpet with her mother’s “Alma Long Scott” all-girl jazz band, which sometimes featured Lil Hardin-Armstrong. Shore was raised in Nashville, but moved to New York in the 1930s to pursue a singing career. She continued working in Chicago and New York and toured and recorded with several groups including Johnny Dodds’ and Freddie Keppard’s. She suffered a difficult childhood after the early death of her mother. She began her career in Hollywood pit orchestras for silent films during the early 1920s. These films helped promote the swing-based capabilities of female musicians while arousing interest in White’s boogie woogie/dance band aggregation. Ina Ray Hutton and her Melodears were an all-girl dance band that made their debut in the 1930s. They progressed to tour nationally on the Keith-Orpheum vaudeville circuit for many years. that they "socialized as black in a segregated city in a segregated During the 1950s, she returned to the all-girl format for variety television programs including the Ina Ray Hutton Show which aired on a local Los Angeles station. Late Tuesday it appeared that Toomin will stay and Kilbride will go. She died in 1959 in New York from liver and heart disease (alcoholism). In 1940 she led an all-male orchestra that was featured in the film Even Since Venus (1944); it was disbanded in 1946. She was recorded as mulatto on her census records as a child, back when her name was Odessa Cowan. Spitalny first established himself within the record and film industry leading stage bands for Victor Records (the Victor Recording Melody Masters) during the 1920s. does her best to tap dance in a tight black gown that pretty much glues The program remained on air for 14 years, first on CBS and then NBC with General Electric as national sponsor. From 1939 to 1943 she was a leading attraction at both the downtown and uptown branches of Café Society. Ina Ray Hutton was married four times. Hardin worked briefly as a tailor before returning to performing with local Chicago musicians during the 1950s.

But when he died in Chicago in 1937 at the age of 76 after slipping on an icy sidewalk, William Edward White’s Cook County death certificate declared him “white.” And when he played in his one and only big-league game for the National League’s Providence Grays (perhaps becoming the first black big leaguer ever) in 1879, his teammates and the fans watching likely all thought he was white, too, Peter Morris and Stefan Fatsis reported for Slate last year: “After first baseman “Old Reliable” Joe Start broke a finger, the Providence Grays, who played in the National League between 1878 and 1885, recruited White, an 18-year-old freshman at Brown University, to fill in. She soon recorded a number of hits with the group including “I Got it Band and that Ain’t Good” (1941) and “Why Don’t You Do right” (1943). One of the most influential jazz singers of the twentieth century. lucrative than the girls, so she dropped her original band in 1939 and started As a young woman, she began performing both the blues under the name Dinah Washington and continued with gospel music under her birth name. In the tradition of prior all-girl bands led by musical theater stars, headliners Eddie Crump and Baby Briscoe both led the band as dancing, singing front women. Chicago's south side. Unlike Rachel Dolezal — the white Spokane, Washington, NAACP head who has become the U.S.’s biggest viral news story after she was exposed for lying about her past to pose as a black woman — all five of these sometime Chicagoans were black. She briefly led her own band for a CBS variety television program Three Chicks and a Fiddle with jazz violinist Ginger Smock. She died in 1963 from an overdose of sleeping pills (Grove Music Online, LastFM, Wikipedia). Calloway filed for bankruptcy in 1938, effectively ending the band’s tenure. For a time, she played piano and led Sallie Martin’s gospel choir. During the 1940s they also recorded a number of Soundies including “Pavanne”, “Night Ride” and “Tchaikovskiana” (McGee). Peggy Gilbert lived until the age of 102 and died in Burbank, California (Poole, Placksin, Wikipedia). Soon after, she moved to the West Coast to headline in a variety revue. The group specialized in jazz, Tin Pan Alley, light classical works and Dixieland. Hardin was hired because of her expert reading skills, which enabled her to demonstrate musical pieces to store customers. She toured as a child dancer and sometimes performed with with her father’s band. She soon initiated her first all-girl band, the Melody Girls which included fellow musicians from the Lake Okoboji band as well as family members. During the 1950s she toured internationally and headlined the Newport Jazz Festival in 1958. Ina Ray Hutton was one of the most successful bandleaders of the Big Band era.

In 1935, the orchestra came to know as the Hour of Charm due to their weekly performances on coast-to-coast radio broadcast for CBS.

seductive stage persona, earning her the nickname ''Blonde Bombshell of In the 1970s, at 69 years old, she organized her last all-girl band, The Dixie Belles, consisting of seasoned musicians from the vaudeville and big band era. She toured with various bands during the 1930s and 1940s including Nobble Sissle’s and Charlie Barnet’s, a white band. In the mid-1940s the group toured Europe for USO military camp personnel. She died of cancer in 1981 in New York City (Chilton, McGee, Wikipedia). She was contracted to perform John Hammond’s Carnegie Hall From Spirituals to Swing in 1937, but she died from a car accident in Mississippi earlier that year (Allmusic, Grove Music Online, Wikipedia).

The group eventually landed prominent jobs with the Ziegfeld Follies and Earl Carroll Revues during the 1920s. There she was in articles During the early 1940s, the group alternated between USA camp show tours and smaller theater engagements on the Kemp Time circuit. There she was scouted by various film studios, including MGM. She chose to revive her nightclub persona, performing many prominent theaters during the 1950s and 1960s in the United States, Canada and throughout Europe. Her autobiographer, Miss Peggy Lee was published in 1990. MARK BROWN: Not long ago, it was fairly common for the vote in Cook County to break down largely along racial and geographic boundary lines.

Lionel Hampton invited her to join his band after hearing her at the Garrick Stage Bar in 1946. appearing in several Paramount film shorts, including Feminine Rhythm (1935), Accent on Girls (1936) and Scott remained publicly opposed to McCarthyism and racial segregation throughout her career. Beyond that, De Angelis said she knew nothing about William Edward White.White’s wife, Hattie, lived until 1970. During the 1980s she toured Europe with Johnny Otis and Jimmy and Jeannie Cheatham. She returned to Chicago to perform various revues at the Dreamland and later worked with Louis Armstrong in King Oliver’s Creole Jazz Band. Baseball player William Edward White, politician Oscar DePriest, bandleader Ina Ray Hutton, poet Jean Toomer and writer Nella Larsen all at times passed as white, it’s believed. She looked like… me. A predominantly black jazz band led by arranger and instrumentalist Eddie Durham during the 1940s. Swing, Hutton, Swing (1937). During high school, Peggy picked up the saxophone because of her interest in big band and vaudeville style jazz. She moved to Paris in the late 1950s, appearing in the film Le Désordre et la Nuit‘ (1958). High-profile judges fight to keep their jobs in Tuesday’s retention election. Hutton's skin colour was light enough to pass as white without people suspecting that she was in fact a mulatto. She also contracted female musicians for films and began to advocate for local women musicians. A jazz and classical pianist. In 1929, Smith starred in her only film, St. Luis Blues directed by Dudley Murphy, which featured the composition of the same name by W.C.

The amendment could pass if a majority of all people voting in Tuesday’s election voted "yes." From 1923 on, Smith recorded over 160 sides for Columbia with prominent musicians including Louis Armstrong, James P. Johnson, Charlie Green and Fletcher Henderson. Hutton's birth name, Odessa Cowan, to search for records of Hutton as a She featured with Goodman’s band in two Hollywood films, Stage Door Canteen (1943) and the Powers Girl (1943). She examined the archives of the Chicago Defender, a national black Down Beat magazine April 15, 1940, Ina Ray Hutton on cover. During the 1980s and 1990s, she published articles on jazz and co-edited the book Central Avenue Sounds: Jazz in Los Angeles (Berkeley, CA, Los Angeles, and London, 1998). Ina Ray Hutton, who died in 1984 at age 67, also had a secret that could have damaged her stardom. She also decided to drop all the sexy, lacy get-ups and the blonde hair By Age ten, she was dancing as part of The White Sisters vaudeville act. Did the Grays decide they could make do without an extra player? At the age of 16, Horne joined the chorus of the Cotton Club in 1933 and featured in the Cotton Club Parade in 1934.

The group featured some of the best female musicians of the day such as Vi Burnside, Roz Cron, Tiny Davis, Pauline Braddy and Helen Jones, many of whom worked in other prominent all-girl bands including the Harlem Playgirls, the Dixie Sweethearts and the Melodears.

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